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Gibson's ZERO HISTORY: exciting adventure that wakes you to the present-day's futurism
William Gibson's latest novel, Zero History, is his best yet, a triumph of science fiction as social criticism and adventure. Continuing on from 2007's Spook Country, Zero History features a reformed, dried out version of Milgrim, the junkie anti-hero from Spook Country. He's been rehabilitated at the expense of Hubertus Bigend, the shadowy power-broker whom we first met in Pattern Recognition. Bigend has got Milgrim hunting for the designer behind a mysterious line of fetish-denim, in the hopes of remaking it as the basis for a lucrative US military contract; this being Bigend's idea of novelty-seeking good times. Joining Milgrim is Hollis Henry, the former pop star from Spook Country, still reluctantly in Bigend's employ, but even more conflicted, and missing her ex-boyfriend, a thrill-seeking nutjob whose idea of a good time in jumping off tall buildings in a glidersuit. Milgrim -- and later, Hollis -- track the secret denim from South Carolina to London to Paris and back to London again, and very quickly find themselves embroiled in an intrigue involving US spooks, experimental UAVs, rogue infosec specialists, and a palace coup at Blue Ant, Bigend's legendary design and branding firm. What makes Zero History into Gibson's best so far is how absolutely perfectly he captures the futuristic nature of the present day. Milgrim -- a junkie dried out after a ten year fugue of living rough and stealing to buy pills -- is well-suited to this task, emerging as if from a time-machine into the 21st century in full swing, able to narrate its essential strangeness without seeming contrived. But all of Gibson's characters are in the business of understanding how we got to this futuristic present, and on every page, there is a jolt of pleasant dissonance as Gibson does the conjurer's trick of making you look at your surroundings with fresh eyes. Here is a book that is both contemporary, and futuristic -- and anachronistic, filled as it is with characters who long for simpler times, who fetishize antique computers and vintage memorabilia. It's a book that doesn't so much feel written as designed, cunningly filled with trompe d'esprit effects that fool your brain into staring at your own life from the objective distance of a Martian. And moreover, here is a book that is a novel, filled with people having exciting adventures and romance, developing as characters, chasing mysteries. An even better trick: to make something so smart that is nevertheless enormous fun as well. What a treat. Zero History William Gibson bags and coats William Gibson's Spook Country William Gibson explains why science fiction is about the present ... William Gibson interviewed on IO9 William Gibson answers questions William Gibson: The Rolling Stone interview William Gibson on NSA wiretapping Original proposal for William Gibson's Spook Country Timothy Leary and William Gibson promoting a Neuromancer film ... William Gibson WashPo interview "one of the best ever" William Gibson's playlist BoingBoingBoing #15: William Gibson William Gibson on writing in the age of Google William Gibson explains how Molly's mirrorshades work Gibson's self-destructing poem Agrippa: screen-movie How William Gibson discovered science fiction...
 
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Eight-foot shark caught in Potomac River
Fisherman Wily Dean was trying to catch cow-nosed rays in Southern Maryland's Potomac River for a marine biologist this week, but he ended up netting an 8-foot-long bull shark. Unfortunately, the story doesn't have a happy ending for the shark. From NBC Washington: "We had an interesting morning bringing it in," Dean said. "It was quite a fight." Once the shark was captured, the next question was: What the heck do you do with it? "I am probably going to have it mounted, maybe the head," Dean said. "Right now, the shark's in the freezer." "8-Foot Shark Caught in Potomac River"...
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Hugo Awards 2010: some of the best results in recent memory
Last night, the Hugo Awards, one of science fiction's most prestigious prizes, were presented in Melbourne at Aussiecon 4. The Hugo ceremony is one of my favorite parts of any WorldCon, and last night's event, emceed by Garth Nix, was a particularly outstanding edition. The ballot was extremely strong, with works that I really enjoyed competing in several categories. The voter and nominator turnout were both much higher than usual, and the program moved at a very, very good clip. This year's award, designed by Nick Stathopolous, was gorgeous, incorporating aboriginal motifs and an organic, Belle Époque look inspired by the Paris Metro signs. Kudos to the administrators on a smooth, well-run ceremony! The fiction prizes were especially sweet this year. Best novel was an almost-unheard-of tie between China Mieville for his brilliant, mind-bending The City and the City and Paolo Bacigalupe for his stellar debut novel The Windup Girl. Best novella went to my collaborator Charlie Stross for Palimpsest, from his wonderful, mind-bending solo short story collection Wireless. Best novelette went to Peter Watts for The Island, from The New Space Opera 2. Boing Boing readers will remember Peter as the SF writer who was beaten and gassed near the US/Canada border when he got out of his car to ask why US customs officers were searching his car; he spent tens of thousands of dollars fighting the charge and the potential two-year sentence; was found guilty but received a suspended sentence. SF fans raised money to bring Peter to Australia, and his acceptance speech in which he called this the "best and worst year of his life," was brilliant. The best short story, which I presented, went to Will McIntosh for "Bridecicle," a lovely story. Net-based media was a big winner this year: the podcast Starship Sofa (often presented here) won for Best Fanzine. And of course, there was Fred Pohl's Hugo for Best Fan Writer for his excellent blog The Way the Future Blogs. Other categories whose winners made me especially glad include the Best Editor prize for my editor at Tor, Patrick Nielsen Hayden (this was his second prize in the very new category, and he has taken his name out of the running for next year). The graphic novel category went to Phil and Kaja Foglio's steampunk comic Girl Genius. The Campbell Award for best new writer to Seanan McGuire, whose heartfelt acceptance speech made me burst into tears. Tor.com has the full list of nominees and winners here. 2010 Hugo Nominees announced Hugo Award winners and statsporn! Hugo nominating deadline looms Design the Hugo Award logo, win $500 and a ticket to WorldCon ... Hugo Award winners for 2008 For sale: first editions of every Hugo- and Nebula-award winning ......
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International Space Station is a speed demon
The Bad Astronomy blog posted this blink-and-you'll-miss it video of the International Space Station zipping across the face of the sun back in 2007. Let's put that speed in perspective: It orbits the Earth a mere 350 or so kilometers (220 miles) up; I like to say that if you live in DC and see it pass overhead, it's about the same distance from you as New York City. So it's actually pretty close to the Earth's surface, and screaming around at 8 km/sec (5 miles/sec). That's a good clip! From the point of view of someone watching from the ground, it only takes a couple of minutes for the station to go clear across the sky, horizon to horizon. Evolution of the International Space Station New picture window for the space station Saturday Morning Science Experiment: Gravity Is For Suckers Boing ... No sex on the space station Paper airplane to be launched from International Space Station ......
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Adorable alternative energy
Gaia Vince explains how a sustainable farm in Peru runs on guinea pig power. No, it does not involve hundreds of tiny exercise wheels. (Although that would be pretty damn cute, too.) Instead, every month, the farmers process more than 400 pounds of guinea pig poop into combustible gas—and a liquid byproduct that works as plant food—by allowing bacteria to break the waste down in a warm, oxygen-free environment. It's called anaerobic digestion, and it's a process that's increasingly popular on American farms, as well. Dairy farms—with their easy access to lots of consolidated cow shit—in particular. What's cool about this Peruvian model is that it shows you don't necessarily need fancy, expensive equipment to make anaerobic digestion work. The process can be applied at different levels of tech intensity, depending on resources, location and how much energy you actually want to produce. This Peruvian family makes enough gas for themselves, plus a little extra. Meanwhile, a dairy farm in Wisconsin uses the gas to make electricity that they sell back to the utility company. All told, there's enough to power 70 households. Image: Some rights reserved by MJames...
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